It can be challenging to execute the sometimes awkward-feeling Fosse movements while simultaneously conveying the story you need to tell. Performers from Michael Jackson to Beyoncé have all been influenced by Fosse’s work, and classes in his style are regularly taught at studios and conventions around the country. Though mastering Fosse’s style is clearly a must for future musical theater mavens, it’s really an integral part of any young dancer’s education, because Fosse’s influence goes way beyond Broadway. A revival of Chicago has been selling tickets on Broadway for the past 15 years, and another Fosse revival, Dancin’, is set to open on Broadway this spring. Although he died nearly 25 years ago, Fosse’s influence is still reverberating through the dance world. He changed Broadway forever in the 1950s, ’60s and ’70s with his groundbreaking choreography for musicals such as Damn Yankees, Sweet Charity, The Pajama Game and more. This is the beginning of Bob Fosse’s “Cell Block Tango”: an iconic number from the musical Chicago that continues to capture audiences whether it’s performed on Broadway, TV or even at your studio’s recital.įosse is best known for his signature jazz style, which features sultry hip rolls, smooth finger snaps, turned-in pigeon toes and specific, detailed movements. A spotlight shines down on each of their faces as they launch into the chilling lyrics, “He had it coming.” The first murderess emerges from her cell reenacting her crime verbally and physically, performing a series of ferocious kicks, dynamic turns and precise choreography. The stage lights rise, revealing six feminine silhouettes behind jail bars. Nikka Graff Lanzarone (center) as Velma Kelly in “Chicago” on Broadway.
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